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  • The muscles of the right arm (left); bones of the elbow (right). Red chalk drawing, 17th century.
  • A suspended lower arm from which the skin and fatty layer has been removed to reveal the muscles. Next to it is a knife and a surgical instrument case with its lid. Engraving after G. de Lairesse, 1739.
  • A comparison between smallpox and cowpox pustules on the 2nd and 3rd days of the disease. Chromolithograph, 1896, after G. Kirtland.
  • Lymphatics: five figures showing the lymphatic vessels of a dissected torso, arms and legs. Coloured line engraving by J. Pass, after W. Hewson, 1796.
  • The muscles of the arm, elbow and shoulder and the bones of the lower arm. Engraving after G. de Lairesse, 1739.
  • The muscles of the lower arm which act on the fingers, thumb and wrist raised from their origins and left at their insertions. Engraving after G. de Lairesse, 1739.
  • Blood and lymphatic vessels: four figures showing vessels of the arm, leg and head. Line engraving by Kirkwood & Son, 1813.
  • An older surgeon instructing a younger surgeon on how to bleed a male patient's arm. Engraving, 1586.
  • A comparison between smallpox and cowpox pustules on the 14th and 15th days of the disease. Chromolithograph, 1896, after G. Kirtland.
  • Bones of the foot, forearm, and hand. Crayon manner print by G. Smith, 18th century.
  • An arm with inflamed vaccine pustule. Coloured etching by W. Cuff and W. Skelton after E. Pearce.
  • A comparison between smallpox and cowpox pustules on the 16th day of the disease. Chromolithograph, 1896, after G. Kirtland.
  • Skull, pelvic bones and bones of the arm. Drawing, ca. 1800.
  • An ankylosis of the bones of the fractured right femur (thigh-bone) and tibia (lower leg bone) (figs 1-2) and the radius and ulna (bones of the forearm) joined by a flexible callus (figs 3-4) Engraving, 1749.
  • Bones of arm with wrist resting on hip-bone. Red-chalk drawing, 17th century.
  • The muscles of the back of the hand and the forearm dissected. The tendons are raised and separated by various instruments. Engraving after G. de Lairesse, 1739.
  • The flexor muscles of the arm, hand and fingers, separated from each other and raised through the use of a dowel and a perforated box. Engraving after G. de Lairesse, 1739.
  • The muscles of the suspended right arm, seen from the front. Red-chalk drawing, 17th century.
  • The bones of arm and scapula: three figures. Red-chalk drawing, 17th century.
  • Jacob's ladder; Moses' exhausting prayer; Elijah addressing God at a sacrifice. Mezzotint by G. Sanders, 1845, after E. Taylor.
  • Three sets of arms joining hands, advertising World AIDS Day in Catalonia on 1 December 1989. Colour lithograph, 1989.
  • Nerves: four figures, showing front and back views of an écorché, and details of nerves in the arm liable to injury in bleeding. Line engraving by Campbell, 1816/1821.
  • The muscles of the raised left arm, elbow and hand(right); bones of the elbow (left). Red chalk drawing, 17th century.
  • A comparison between smallpox and cowpox pustules on the 12th and 13th days of the disease. Chromolithograph, 1896, after G. Kirtland.
  • An Irish bronze reliquary in the form of a human arm, made to house an arm of Saint Lachtin. Etching by James Basire.
  • The muscles of the lower arm and hand dissected and spread out across the dissecting table and a book. Engraving after G. de Lairesse, 1739.
  • The muscles of the lower arm: the left forearm is seen twice, crossed over and resting on the right forearm and extending from the shoulder. Drawing after Peter Paul Rubens, c. 1610.
  • A comparison between smallpox and cowpox pustules on the 8th and 9th days of the disease. Chromolithograph, 1896, after G. Kirtland.